publications

DNA 视觉展览 20032003-09-05
DNA视觉展览参加北京首次当代艺术双年展。此次展览由 Karen Patterson策划,展示53位定居在中国大陆的顶级艺术家的视觉影响作品。 Karen力图让观众回忆并欣赏摄影艺术的最初价值。每个艺术家提交的作品不超过5 cm x 5 cm 或5 cm x 7 cm. 甚至影像的屏幕也只是5 cm x 7 cm!

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前进当代画廊LIU Zheng and ZHANG Hui2007-01-15
这个展览不仅是先锋画廊,后来发展成为前进当代画廊的第一次展览,并且是为艺术家夫妇刘正和张慧的患有几大严重心脏病的儿子的筹款慈善活动。展出的两位艺术家的油画和玻璃钢雕塑高度展示了两位艺术家的高超艺术。

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前进当代画廊马雁泠2007-11-10
马雁泠个人作品展览画册, 以画家的摄影和油画作品为主。

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前进当代画廊把玩与洞悉之间2011-04-02
这本书之所以称为“把玩与洞悉之间”,这是一种哲学意义的界定和描述,首先指蔡鸿硕在创作的过程中对道具的加工更像是“把玩”和体悟,而“洞悉”则是他用这种艺术形式言说自己对这种矛盾隐喻的解读。他的作品延伸了照片这种平面媒材的言语,也丰富了摄影这种媒体的维度。在此基础上他所关注的主题和表达的立场成了特有的范式,可以沿着这种思考、言说和追问,继续表达他在这个巨大的建筑、繁华的都市、飞速的时代、飘忽的信仰和矛盾的际遇中的感受和立场,甚至可以期待他在这种特殊机械装置下呈现新的视觉效果、新的矛盾关系和语言系统。
 
Mathieu Boryzevicz方艉2015-01-17
Through his work, Fang Wei weaves abstract narratives - inhabited by spirits, shadows, and fleeting glimpses - onto his multiple surfaces. In this book, the author take a chronological approach to Fang Wei's work.His most recent works can be divided in two bodies: one dominated by strange mythological narratives, and one in which a web becomes the central compositional device. The web is employed as both an abstract pictorial strategy as well as a way to entwine and restrain the central figure in a maze of interlocking visual laces. Fang’s ambiguous but evocative themes are always equally as important as his development of a technique that is characterized by a tension between tight brushwork and its fluid appearances. From afar the works looks like watercolors but upon closer inspection the solidity of rigorously painted oils emerge.
Fang Wei studied and lived in Japan before returning to his native Shanghai in 2005. He has held solo shows at Shanghai Gallery of Art and participated in many group exhibitions. His work is in the DSL Collection and many private collections worldwide.